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Art · Wine · Collections

A collection insured at the value you agree on.

Scheduled or blanket coverage for fine art, wine, rare books, silver, memorabilia and other collections, valued up front, at home and in transit.

By Sam Alishahi · CA Insurance License #4348151 · Reviewed November 2026 · How this page is researched

How it works

Agreed value, not a debate after a loss

Homeowners policies limit coverage for collectibles and may pay actual cash value after a loss. A collections policy lists items at an agreed value, so the amount paid for a covered total loss is settled in advance.

Collections can be scheduled item by item or covered on a blanket basis with a per-item limit, and can be written for collections owned by a trust or company.

  • Agreed valueThe value set when the policy starts.
  • Scheduled or blanketItem by item, or the whole collection.
  • TransitItems shipped, loaned or worn.
  • BreakageAccidental breakage of fragile pieces, where included.
Who I help

Collections I insure

Fine art

Paintings, sculpture and photography.

Wine

Cellars and stored collections.

Rare books and memorabilia

Signed, first edition and sports.

Watches and jewelry

Pieces worn and stored. See details

Collector cars

Vehicles in the collection. See details

High-value homes

Coordinated with the home policy. High-value home insurance

Before you call

What underwriters will ask

Having these ready means I can go to market on the first call. The quote form asks for the same things, and anything you don’t know yet can wait.

Start the Quote Form

  • Items: a list with descriptions and values.
  • Appraisals: recent appraisals for high-value pieces.
  • Storage: home, vault or storage facility.
  • Security: alarm, safe and climate control.
  • Movement: loans, shipping and travel.
  • Ownership: personal, trust or company.

What makes an art appraisal hold up

I ask for appraisals on higher-value pieces, and the clearest public standard for what an art appraisal should contain comes from the IRS. Treasury regulation 26 CFR 1.170A-17 sets it for donated property, and Publication 561 adds detail for art. These are donation rules, not insurance requirements; your policy sets its own. Still, an appraisal built to this standard gives an underwriter, and later an adjuster, something they can test.

  • Prepared under USPAP. The regulation points to the substance and principles of the Uniform Standards of Professional Appraisal Practice, as developed by the Appraisal Standards Board of the Appraisal Foundation.
  • By a qualified appraiser. That means professional or college-level coursework in valuing that type of property plus at least two years of experience valuing it, or a recognized appraiser designation for that type. The report itself states the appraiser's education and experience.
  • With the core facts. A description detailed enough that someone unfamiliar with the type of property could match it to the piece, its physical condition, the valuation effective date, the fair market value and the method used. Publication 561 gives the sales comparison, cost or income approach as examples.
  • With the art details. Publication 561 lists the artist, maker or originating culture, title, medium and support, date of creation, dimensions, signature information and condition; for a photograph, print, sculpture or other work available in multiples, the edition number and total number made in the edition; and a professional quality digital color image.

Publication 561 also says physical condition and extent of restoration are both relevant to value, asks for reasonable due diligence on authenticity, such as catalogue raisonné citations or letters from a recognized expert, and warns that an auction price may have come from a rigged sale. If the same piece may later be donated, the timing rules matter: a donation appraisal must be signed and dated no earlier than 60 days before the gift.

Document each piece the way police need it

If a piece is stolen, the description you hand the police often decides whether it can be identified again. The standard built for that job is Object ID. The Getty Information Institute began the project in 1993, developed it with police forces, customs agencies, museums, the art trade, valuers and the insurance industry, and launched it in 1997; ICOM now holds rights to promote it. INTERPOL says Object ID meets its requirements for describing cultural objects entered in its database. It has four steps:

  1. Take photographs of the object.
  2. Record nine categories: type of object, materials and techniques, measurements, inscriptions and markings, distinguishing features, title, subject, date or period, and maker.
  3. Write a short description that adds anything the categories miss.
  4. Keep the documentation in a secure place.

I'd photograph the back as well as the front. Labels, stamps and old repairs there fit under inscriptions and markings or distinguishing features, so they belong in the file. Keep the history Publication 561 asks appraisers to gather alongside it: the cost, date and manner of acquisition, prior ownership (provenance), exhibition history and authenticity documentation. The same file doubles as the item list for your schedule, so you build it once. Keep one copy outside the house, because a fire that takes the collection can take the paperwork with it. If you're also insuring the home itself, I coordinate the two; see high-value home insurance.

Earthquake, fire and water: California prep

In 2018 NEMO reported that the Getty, with 30 years of experience in earthquake-safe installation, had teamed up with the Greek government and the National Technical University of Athens to develop its isolator mounts and seismic mitigation bases. At home the first steps are simpler. The Earthquake Country Alliance, whose preparedness site carries FEMA and Cal OES logos, tells households to hang mirrors and pictures on closed hooks and to keep small objects from falling with museum putty or wax. For sculpture, ceramics and glass on open shelves, that putty is the low-cost first move; ask a conservator before using it on a fragile or porous surface.

If water reaches the collection, from a broken pipe, a flood or firefighting, FEMA's Save Your Family Treasures guidance is a sound first-hours checklist. It comes from the Heritage Emergency National Task Force, co-sponsored by FEMA and the Smithsonian Institution, a partnership of more than 60 national service organizations and federal agencies that has given this kind of guidance since 1995:

  • Take paintings and prints out of their frames.
  • Air-dry gently, indoors if you can. Hair dryers, irons, ovens and prolonged sunlight do irreversible damage.
  • Freeze photos, papers, books and textiles if you can't get them dry within 48 hours.
  • Handle with great caution; heirlooms can be especially fragile when wet. Focus on what matters most to you.

Photograph everything before you move it and send me the photos with your schedule. The American Institute for Conservation's Find a Conservator tool lists members, by their choice, who were reviewed by peers on training, knowledge and experience, searchable by services like examination and documentation. The house itself is a separate decision; see earthquake insurance in California.

Lending a piece to a museum or gallery

When a museum or gallery asks to borrow a piece, the time it is at risk is longer than the show. Under the Arts and Artifacts Indemnity Act, which lets the government make indemnity agreements for items on exhibition, “on exhibition” runs from the date items leave the lender's premises, or a place the lender designates, until the date they are returned there (20 U.S.C. 972(b)(2)). The eligible items include tapestries, paintings, sculpture, folk art, graphics, craft arts, manuscripts, rare documents, books, photographs and other artifacts or objects.

That premises-to-premises window is the benchmark I hold every loan agreement to. Before you sign, get these answers in writing:

  • When coverage starts and stops. From your wall back to your wall, including packing, crating, transit and any storage between venues.
  • Whose insurance responds first. The borrower's, yours, or both, and in what order.
  • The value. The figure in the loan agreement should match the value on your schedule.
  • Condition records at each handoff. Photographs and notes when the piece leaves, arrives, goes on view and comes home, built the same way as your Object ID file.
  • Shipper, courier and venues. Who moves it, where it travels and for how long.

Then tell me before the piece leaves, not after it's hanging in the gallery. Disclosing loans and shipments up front is what lets me compare your collection policy with the borrower's terms.

Questions

Fine art and collectibles insurance, answered

Doesn't my homeowners policy cover my art?

Up to its limits and terms. Collections policies cover items at agreed values, often for broader causes of loss.

Do I need appraisals?

For higher-value pieces, yes. Carriers often require them above a set value.

Is my collection covered when it's loaned to a museum?

It can be. Tell me about loans and shipping so they're included.

Can a trust own the policy?

Yes. Many carriers write collections owned by a trust or company.

Who can appraise art for a charitable donation?

Under 26 CFR 1.170A-17, a qualified appraiser has verifiable education and experience: professional or college-level coursework in valuing that type of property plus at least two years of experience, or a recognized appraiser designation. The donor, the charity receiving the gift and persons related to either cannot serve.

When does the IRS refer an art donation to Art Appraisal Services?

Publication 561 says a referral to Art Appraisal Services is mandatory for fine and decorative art valued at $50,000 or more. That office consults the Commissioner's Art Advisory Panel, a group of independent dealers and curators.

Do you offer fine art and collectibles insurance outside California?

Yes. Clients across the country send the same quote form. Sam Alishahi is licensed in all 50 states and Washington, DC and places policies there directly. The shopping across carriers works the same way. Rules, minimums and markets differ by state — see insurance requirements by state or high-value home insurance by state.

Fine art and collectibles insurance

Send the list. I'll shop it.

A list of items with approximate values is enough to start.

Alishahi Insurance · Saman Alishahi, independent insurance broker, California License #4348151. General information, not a quote or a promise of coverage; coverage depends on underwriting and the terms, conditions and exclusions of the policy actually issued.

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